His short stay sours when Olga's mother walks in on them having rough sex, and he is banished from her life permanently. Her family refuses to let him visit her, until he says he has come to arrange a divorce. This brings the movie to the point where it opened, ending the flashback.Įric is still obsessed with Olga. She then leaves Eric, who proceeds to trash his studio, destroying anything that reminded him of her. This prompts Eric to vomit over the attendants and slap Olga. Eric finds himself insidiously baited into following Olga to the party, where he witnesses her flirting openly with a family friend, with the overt complicity of the rest of the diners. This tendency reaches a pitch of conflict in a family gathering in a Chinese restaurant. Their life together, while initially happy, is marred by bouts of strange behavior on Olga's behalf, including unexplainable reveries and rampant impulsivity. This infuriates her mother, who feels that a Bohemian sculptor earning little from occasional commissions is an unsuitable husband. Instead of taking care of the Stapels family business, Eric then takes Olga back to Amsterdam where he continues his artistic career and she takes a job in a production line. Olga's father's dies from illness shortly thereafter. Out of frustration, Eric and Olga throw the maquettes into the canals of Amsterdam. The unveiling ceremony is successful for the hospital, but the artist and model are prevented from attending on the front line by the queen's security detail because of Olga's revealing dress. Olga models for the statue, which is unveiled by the Dutch queen. Some time later, Eric lands a 5000- guilder commission to prepare a sculpture for the garden of the hospital where his friend Paul works. They eventually get married, and Olga's mother and closest circle of friends grudgingly accept Eric. However, the two lovers reconnect and start a passionate affair which, while opposed by her mother, is seen sympathetically by her easy-going father. This first tryst is followed by a traffic accident, and Eric is initially prevented from seeing Olga again by her middle-class mother, who strongly dislikes him and blames him for the crash. Olga picks Eric up when he is hitchhiking, and they immediately have sex in her car. The film then flashes back two years to the time they first met. This combination of violent fantasies, promiscuity and occasional misogyny is not intrinsic to him, but rather the outcome of a distressing memory: his failed relationship with Olga Stapels. He eventually cleans up his dingy studio, but only to trawl the streets of Amsterdam in search of random women whom he takes back home for sex. Sculptor Eric Vonk wakes up recalling disturbing dreams where he murders characters still unknown to the audience. In 2005 a musical version of Turks fruit was made starring Antonie Kamerling and Jelka van Houten. It was entered into the Canon of Dutch Cinema in 2007. In 1973 it was nominated for an Academy Award for Best Foreign Language Film and in 1999 it received a special Golden Calf Award for Best Dutch Film of the Century. The film was a massive success at the Dutch box office according to Alle Record, 3,338,000 people saw the film, while the Netherlands Film Festival puts it at 3.5 million, corresponding to about 26% of the population of the Netherlands at the time. Turkish Delight is the most successful film in the history of Dutch cinema. The film is a love story of an artist and a young woman, starring Rutger Hauer in his film debut and Monique van de Ven. Turkish Delight ( Dutch: Turks fruit) is a 1973 Dutch erotic romantic drama film directed by Paul Verhoeven from a screenplay by Gerard Soeteman, based on the 1969 novel Turks Fruit by Jan Wolkers.
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